Author: peay_malik

Queer Eye’s interiors master on the show’s global impact, the transformative power of design and how the original Fab Five changed his life.

Dewayne Perkins doesn’t play by cinema’s preestablished rules. His existence as a queer Black man in horror defies the tropes of a genre that has often reduced people like him to inauthentic caricatures or disposable fodder, usually fated to be a slasher villain’s first victims.

In just three episodes, HBO’s The Idol has already managed to cement itself as the most provocative and divisive show of the year. Swirling social media commentary can’t stop picking apart Lily-Rose Depp’s explicit scenes, Sam Levinson’s dark script, the show’s lurid cinematography and, most crucially, Abel ‘The Weeknd’ Tesfaye’s character Tedros’ greasy rat-tail.

Give two well-known street artists unfettered access to creative opportunity and the results are unsurprisingly epic.

With Miranda Cosgrove serving as an executive producer, longtime fans and original characters — such as her older brother Spencer — get to witness the brewing romance between Freddie and Carly and the jealousy that emerges along the way.

On Netflix’s “Queen Charlotte,” the “Bridgerton’’ prequel where royalty meets romance, the natural hair and wigs worn by the actors in the series are works of art that battle for viewers’ attention as much as the characters and their onscreen dramas.

Full-fledged feasts, picnic table affairs, and galas involving multi-course meals are innate cultural reactions to celebratory moments. Outstanding in the Field homes in on those shared scenes of joy with organized farm-to-table events where guests are seated with local artisans and farmers for a community-based, full-service experience.